TV Series and Episodic Animation Production

It depends on the number of episodes, their length, and the complexity of the animation style. A pilot or single episode might take 8 to 12 weeks. A full series run requires a longer production schedule, but our pipeline is built to handle episodic delivery efficiently. We'll map out a realistic timeline during the development phase.

Costs vary significantly based on the number of episodes, animation style, character complexity, and whether we're handling development from scratch or working from an existing bible. We'll scope the project in detail before any commitment. Get in touch with your brief.

We deliver in all standard broadcast and streaming formats, and we handle social cutdowns and promotional assets from the same production, so your marketing team has content ready from day one.

We do. A Modern Fairytale is an example of original content developed and produced entirely in-house. We're actively developing original IP under Myth Productions and are open to co-development partnerships with production companies and commissioners.

We work across 2D (hand-drawn, vector, cel), 3D (stylised, CGI), and mixed media. The style is always determined by what serves the story and the audience best. We'll recommend an approach based on the creative brief, the target demographic, and the budget.

We create comprehensive style guides, motion guidelines, and asset libraries during development. These become the production bible that every episode is built from. We also have internal QA processes to catch inconsistencies before they reach the client.

We have. We've helped clients develop pitch materials including sizzle reels, pilot episodes, character sheets, and world-building documents designed to get buy-in from commissioners and investors.

Yes. We have a dedicated title sequences offering, with credits including the ITV Euro 2024 opening titles and the Grow title sequence for Sky Studios. We can produce the title sequence alongside the series, or as a standalone commission.

We can. Our team has experience with character-driven, age-appropriate content, and we understand the particular requirements around pacing, colour, and tone that children's content demands. We're happy to work within broadcaster guidelines and regulatory frameworks.

That's a great starting point. We can work from existing character designs, style guides, or narrative bibles and build the production around what's already been established. If the existing assets need refinement or extension, we can handle that too.

Yes. While our studio is based in London, we work with production companies, broadcasters, and agencies globally. Our production process is set up for remote collaboration with regular video calls, shared review tools, and clear milestone sign-offs.

A growing part of our work is multi-episode branded content designed to build audiences over time rather than grab attention once. We bring the same narrative thinking and production quality to branded series that we bring to broadcast work.

As involved as you like. We build regular review points into the production schedule, and you'll see work at every key milestone: character designs, storyboards, animatics, animation, and sound. If you prefer a more hands-off approach, that works too.

Three things stand out. First, we're illustrators and animators by background, so the design quality runs deep. Second, we've built proper episodic production infrastructure, not just a team that can do one-offs. Third, we care about the creative direction of the work. We don't just execute. We help shape the vision.