Animation production for advertising and TV

We deliver in all standard broadcast formats including ProRes, DNxHD, and various codecs for HD, 4K, and UHD. We also provide social and web-optimised versions for digital distribution. If your network or platform has specific technical requirements, we'll meet them.

Typically 8 to 12 weeks from brief to delivery. Shorter timelines are possible depending on complexity and approval cycles. The ITV Euro 2024 titles were produced over sixteen weeks, which reflected the ambition and scale of the project.

Costs depend on the format (title sequence, TVC, graphics package), the animation technique, the length, and the complexity of the creative. We scope every project individually and provide a clear, itemised quote. Get in touch with your brief for an honest conversation about budget.

We regularly work within established brand systems, translating static guidelines into dynamic motion while maintaining brand integrity. If a network or brand has a defined visual language, we'll work within it.

Yes. We either work with our trusted sound partners or collaborate with your preferred composers and sound designers to create a complete audio-visual package. For broadcast work especially, sound is a critical part of the experience.

We produce animated TV commercials across 2D, 3D, and motion graphics for broadcast, VOD, and cinema. We handle everything from concept and scriptwriting through to final delivery in broadcast-ready formats.

A large portion of our broadcast work comes through production companies and agencies. We're comfortable working within existing creative frameworks, plugging into production timelines, and delivering to agency specifications.

Yes. We work with clients and broadcasters internationally. We deliver in all required formats and can handle multi-language localisation, subtitle integration, and regional adaptations.

We start by understanding the programme or channel's identity, then develop a visual system that covers all the necessary elements: lower thirds, title cards, transitions, bumpers, idents, and end credits. Everything is designed as a cohesive system so it holds together on screen. We deliver templates and guidelines so your team can apply the system consistently.

Yes, and we often do. The ITV Euro 2024 titles combined 3D/CGI environments with 2D character animations. Mixing techniques often produces something more distinctive and visually rich than using a single approach.

We've built our production pipeline specifically for the demands of broadcast, where deadlines are immovable. We plan backwards from the delivery date, build buffer into the schedule where possible, and maintain clear milestone sign-offs throughout so nothing gets stuck.

We treat broadcast work as a creative opportunity, not just a technical delivery. A lot of studios in this space are set up to execute efficiently, but the work can feel formulaic. We bring a director-led approach to every project, which means the art direction punches above what's typical for the budget and timeline. The ITV Euro 2024 titles are probably the best example of that.