Title Sequence Animation Studio in London
Title Sequences to get lost in
Myth Studio designs and animates cinematic opening title sequences for film, TV, sport, and streaming from our London base. Our credits include the ITV Euro 2024 titles and the GROW title sequence for Sky. Most projects take 4 to 12 weeks from brief to delivery.
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Double Nickel Entertainment
Euro 2024
A pop-up storybook world inspired by Brothers Grimm illustrations and Victorian paper theatres. Football legends reimagined as fairytale characters.
GROW
Title sequence for this family film, inspired by mid-century illustration and English folk art. Warm, characterful, and full of autumn charm.

Our approach
Artistic influence
We draw from art history, from Renaissance masters to mid-century illustration, finding the visual language that fits your story.


Worlds to explore
Rich, detailed environments that reward repeat viewing. Every frame designed to draw audiences deeper into your story.
Characters with soul
Memorable figures with personality and warmth. From heroes to supporting players, each character feels alive.


Typography as art
Type is central to title design. We craft letterforms with care, treating every title card as a piece of graphic design.
How we work
Book a discovery callResearch & Immersion
We study the programme, the network, and the audience. We watch existing material, read scripts, and talk to the showrunner or creative lead.
Book yoursConcept & Treatment
We develop visual concepts and creative treatments that define the look, feel, and narrative approach. We typically present 2 to 3 distinct directions.
Styleframes & Key Art
Detailed styleframes that show exactly how the sequence will look at its most important moments. This is where we lock the visual identity.
Animatic
A timed animatic that maps out the full sequence: pacing, camera moves, transitions, and music timing. You'll feel the rhythm before production.
Animation Production
Full production with regular review checkpoints and stakeholder sign-off. We share work-in-progress frequently so nothing lands as a surprise.
Sound Design & Music
We work with trusted composers and sound designers to create original scores, or collaborate with your preferred music team.
Post & Delivery
Compositing, grading, and delivery in all required broadcast formats: ProRes, DNxHD, HD, 4K, UHD. Plus social cutdowns and promotional versions.
What we can provide
A complete title package built to last.
"Myth came in and smashed the brief out the park. They brought flair and joy to the project as well as giving me total confidence that they will deliver. Solid team!"
Max Italiaander
Creative Director, Squint/Opera

"They're not just brilliant and inventive, they're great collaborative partners. We asked for sophisticated, memorable, and fun, and they delivered all that and more. We would work with them again and again and again."
Jenette Kahn and Adam Richman
Double Nickel Partners
Related concepts
Definitions and background reading from our glossary.
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Storyboarding
Visualising the narrative sequence of an animation through a series of sketches that plan camera angles and key actions.
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Design Frames
High-fidelity static images that define the visual style and look of an animation project before production begins.
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Art Direction
The management of the visual style and artistic elements of an animation project.
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Motion Branding
Defining how a brand moves across digital and broadcast touchpoints, from logo animations to UI transitions.
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Compositing
The post-production process of combining rendered animation, backgrounds, and visual effects into final frames.
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Camera Language
Using camera movement, angles, and framing to influence storytelling and audience emotion in animation.
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Mixed-Media Animation
Combining different animation techniques such as 2D, 3D, and live-action footage in a single production.
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Pacing & Rhythm
The flow and speed of an animation's edit and motion over its duration, shaping audience engagement.
FAQs
How long does it take to produce a title sequence?
Most title sequences take 8 to 12 weeks from brief to delivery. Highly complex or ambitious projects can run longer. The ITV Euro 2024 titles were produced over sixteen weeks, reflecting the scale and ambition of the work. We'll agree a realistic timeline during the concept phase.
How much does a title sequence cost?
It varies significantly based on the technique (2D, 3D, mixed media), the length, the level of detail, and the number of concept rounds. A graphics-led title sequence has a different scope to a full narrative animation with bespoke character design. We scope every project individually. Get in touch for an honest conversation about budget.
What do you need from us to get started?
Ideally, a brief that covers the programme's genre, tone, audience, and visual ambitions. Existing material (scripts, mood boards, pilot footage) is incredibly helpful. If you're at an earlier stage, we can work from a conversation and develop the brief together.
Can you produce title sequences for streaming platforms?
Yes. We deliver in all required digital and broadcast formats. Streaming titles have a different challenge to traditional broadcast: viewers can skip them. That means the titles need to earn their place by being compelling enough to watch. We design with that in mind.
Do you handle both the animation and the sound?
We handle both. We either produce the sound design and music through our trusted partners, or collaborate with your preferred composers and sound designers. For title sequences, we strongly recommend developing audio and visual in parallel, as the two are inseparable in the final experience.
Can you work from an existing creative brief or concept?
Some clients come to us with a fully formed concept and need us to execute it. Others want us to develop the concept from scratch. We're comfortable with both, and with anything in between.
What techniques do you use for title sequences?
We work across 2D hand-drawn animation, vector and cel animation, 3D/CGI, mixed media, and hybrid approaches. The technique is always determined by what serves the programme best. We'll recommend an approach during the concept phase, or explore multiple options if you're unsure.
Can you design a full broadcast graphics package alongside the titles?
Yes. In fact, we'd recommend it. Designing the titles and the wider graphics package together ensures visual consistency across the entire programme. We create lower thirds, title cards, transitions, bumpers, and idents as a cohesive system.
Do you produce end credit sequences too?
We do. End credits are an opportunity to reinforce the programme's identity and leave viewers with a final impression. We design animated end sequences that feel like a proper conclusion, not an afterthought.
Can you combine 2D and 3D techniques?
Yes, and this is one of our strengths. The ITV Euro 2024 titles combined 3D/CGI environments with 2D character animations and bespoke paper textures. Mixing techniques often produces something more distinctive and visually rich than using a single approach.
What broadcast formats do you deliver in?
We deliver in all standard broadcast formats including ProRes, DNxHD, and various codecs for HD, 4K, and UHD. We also provide web-optimised and social cutdown versions for promotional use.
Have your title sequences won any awards?
Our ITV Euro 2024 opening titles were highlighted by the Guardian as a standout of the tournament and received widespread positive reception across social media. Our broader work has earned the Cannes Black Dolphin for Best Animation, Archiboo 2024, and Learning on Screen 2024.
What makes a great title sequence?
Clarity of vision. A great title sequence captures the essence of a programme in a matter of seconds. It's not about showing off every technique you know. It's about finding the one visual idea that encapsulates the world, the tone, and the emotional register of what's about to unfold, and then executing it with precision and care.
Do you work with production companies and post houses?
Most of our title sequence work comes through production companies and broadcasters. We're experienced with the particular dynamics of these relationships: working alongside showrunners, navigating multi-stakeholder sign-off, and delivering to immovable transmission dates.