Stylised 3D. Faux stop motion. Artistry meets technology.
Stylised 3D. Faux stop motion. Artistry meets technology.
Textured, character-led 3D animation from a London studio. For broadcast, brand and culture. Trusted by ITV Sport, Sky and Nestle.
Selected work
Selected 3D work.
Public service campaigns, title sequences and character films.
Social Security Scotland
Public service brand campaign Stylised 3D character work
ITV Sport
UEFA Euros 2024 Title sequence, broadcast 3D motion
Myth Studio
3D & CGI Showreel 2025 Selected 3D and CGI work
The opening titles we made for ITV Sport's UEFA Euros 2024 reached 23m+ viewers.
Hybrid 3D and AI
Where 3D and hybrid AI meet.
Some briefs need pure 3D. Some benefit from a layer of AI in the pipeline to handle the unsexy parts. The creative decisions stay with the artists. The heavy lifting moves to the machines. The buyer sees the difference in timeline and budget, not in how the work looks.
See the hybrid pipeline
Process
From artistry to broadcast.
Each project runs with an artist-director, an art director and a producer from concept to final master.
01
Brief and treatment
A 60-minute scoping call to lock the script, the world and the look. We can start from a reference film, an illustrated mood, a brand system or a blank page. Inside the first week you see thumbnails, a recommended treatment and a creative direction.
02
Design, sculpt and animatic
Look development, character and environment design, sculpt and a timed animatic. You see hand-drawn frames and styleframes before anything goes into 3D, so the creative is locked before the machine fires up.
03
3D, finish and master
Modelling, rigging, lighting, animation, comp, sound design and grade. Broadcast and social masters, with optional asset hand-off if you want the rigs and look-dev for re-use.
What we make
Three flavours of 3D.
Faux stop motion
Faux stop motion & textured CGI
Hero films and worlds with the warmth of practical effects and the flexibility of CGI. Clay surfaces, felt textures, hand-painted props, hand-painted skies, but with the speed and iteration of digital. Used for brand films, commercials and culture work where the audience needs to feel something tactile.
- Textured, materially-rich modelling
- Lighting and finish that reads as practical
- Multi-format masters (16:9, 9:16, 1:1)
Best for
Brand films, culture campaigns, commercials with a tactile look
Stylised character 3D
Original character animation with the warmth of illustration and the depth of 3D. Faces with personality, performances with intent. The work we deliver for clients like Nestle. Used for brand mascots, public service films, narrative work and short film.
- Original character design and sculpt
- Performance animation by artist-directors
- Cinematic lighting and comp
Best for
Brand characters, public service, narrative, short film
Title sequences
Title sequences & broadcast 3D
3D opens, packaging and broadcast graphics for TV, sport and streaming. Network specs, rights clearance and tight delivery cycles are routine for us. We've shipped 3D opens for ITV Sport's UEFA Euros 2024 and other major broadcasts.
- Storyboard and animatic in week one
- Broadcast-grade modelling and motion
- Network spec masters and supplementary cuts
Best for
Title sequences, opens, broadcast spec, brand stings
Who we work for
Built for brand, broadcast and culture teams.
Brand and creative teams
3D that looks like your brand, not like everyone else's render. Stylised commercials, brand films and hero campaigns for in-house marketing teams. We work to your brand system and extend it into a 3D look and motion language you keep.
Culture, public service and editorial
Stylised 3D for museums, charities, public service campaigns and editorial work. Where the audience needs to feel something real, even though the world is built. We've shipped character work for Social Security Scotland and stylised pieces across the cultural sector.
Agencies, white-label
Your client. Your guidelines. Your logo on the delivery. Discreet 3D production capacity for agencies. We work to your brand system, your timeline, your client. NDA standard. Several London agencies use us as their regular 3D overflow.
TV, broadcast and sport
3D opens, packaging and broadcast graphics. For TV, sports and streaming. Used to network specs, tight delivery cycles and rights clearance. We've shipped 3D opens for ITV Sport's UEFA Euros 2024.
Why Myth for 3D
A 3D studio with a point of view.
01
Craft-led, not template-led
Stylised 3D demands a strong creative voice. Every Myth project starts with the look, the world and the character before any rigging or rendering. The technology serves the story, not the other way around.
02
A 3D look that's actually yours
The creative system we develop sits with your brand, your story and your audience. Look-dev, character system and motion language are built around the project. You can extend them across every campaign after.
03
Broadcast track record
3D animation that has aired on ITV, Sky and major sport. Network specs, broadcast clearance and culture-sector work are routine.
04
Hybrid pipeline where 3D needs it most
3D is slow because of the unsexy bits. Modelling iteration, look-dev, asset generation, roto, cleanup. Our hybrid AI pipeline compresses that work without touching the creative, so a budget that used to cover one direction now covers two or three.
What our clients say
"The Myth team have become a key partner for us at Pepsi. They have supported how we glean insights on communications, in a more iterative way, enabling us to test and learn, with speed and agility. The Myth team are collaborative, efficient and effective, and I look forward to continuing the partnership."
Cathy Graham Kidd / Senior Marketing Director, Pepsi Global
FAQ
Frequently asked questions.
Whatever serves the story and the screen. A lot of our best work mixes a 2D system with hero 3D shots for character or brand moments. We'll recommend the right mix on the intro call. Technique is a creative decision, not a default.
Stylised CGI, faux stop motion, illustrated character work and broadcast-grade motion. We don't do photoreal-everything-everything. Our craft is in matching the look to the audience and the medium.
That's one of our specialisms. Textured surfaces, materially-rich props, lighting that reads as practical, performances that breathe. The result has the warmth of stop motion with the speed and flexibility of CGI.
It depends on scope. A stylised motion piece can ship in a few weeks. A 30 to 60 second character spot or title sequence typically runs longer. A hero brand film with original character work and a hybrid pipeline longer still. We give you a real timeline on the intro call, not a placeholder.
Original character design, sculpt, rig and performance animation are core to what we do. You see hand-drawn character options before we model anything, and the rigs and assets are yours to keep.
The pipeline sits behind the scenes, on the parts of 3D production that benefit from automation. Asset generation, look-dev iteration, roto, cleanup. The creative decisions stay with the artists and the director. You see the difference in timeline and budget, not in how the work looks.
All of it. Script punch-up, professional VO casting, original music and sound design as standard. You don't need to bring a separate writer or sound house unless you want to.
Always. We start from your brand system and extend it into a 3D look and motion language you keep and re-use. For agency clients we work fully white-label to your guidelines, not ours.
3D motion graphics and short-form work generally start in the £15 to £30k range. Stylised 3D character films and brand pieces usually sit £40 to £80k. Hero brand films and broadcast title sequences run £100k+ depending on scope. We'll ballpark a real figure on the 15-minute call, before you commit to anything.
Let's talk.
Tell us what you're making, who it's for and what good looks like. We'll come back with a recommended approach, a creative direction and a ballpark figure within the call.