Traditional craft built by artists, animated with AI.
Hybrid AI animation from a London studio. We combine traditionally created art direction with AI-powered animation. This means you get beautifully crafted visuals, at the speed of AI, at less budget than a full CGI production.




Selected work
Broadcast-grade hybrid AI animation for healthcare, FMCG and brand campaigns.
Hybrid AI animation is when we follow a traditional workflow to create the characters and worlds, but use AI to animate them.
Not only does this pipeline mean avoiding the generic AI look, it allows artists freedom to explore new and interesting styles at speed. As the models are created physically or digitally, they can be re-used and are ownable, compliant assets.
In short, a hybrid approach is led by artists, but with faster turnarounds, more production power, and a catalyst for greater creativity.
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The pipeline
This is the pipeline we built for Project Inchstone. The exact balance shifts project to project. The principle doesn't.

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This is where the lion's share of the project sits. Sketching. Painting. Repainting. Hand-drawn storyboards. Colour scripts that lock the mood and palette. The creative vision is formed here, and we won't let a machine near it.

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Our 3D team builds the environment from the inside out. Every prop, every surface, every lighting rig set with intention. On Inchstones, the team imagined themselves as anthropomorphic possums to get scale and placement right. That sort of attention is what makes a world feel inhabited.

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Characters are modelled with the same care you'd find in any considered CGI pipeline. On Inchstones, individual strands of fur were combed into place. The obsessive detail is what gives the AI something worth animating.
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We use AI video models to animate the high-resolution renders, with prompting systems we've built and refined to get the acting right. The AI handles motion. Our artists hold the taste. Every output is reviewed, redirected and refined by a senior animator before it makes the cut.
Featured case study
Compleat is Nestlé's tube-feeding nutrition brand. In early 2026 they launched Project Inchstone, a long-term platform built around a single, hard-won idea: that families who tube feed measure progress in inchstones, the small wins that the standard paediatric milestones often don't capture.
Klick Health brought us in to direct and produce the animated film at the heart of the campaign. The brief asked for warmth, patient honesty, and a story drawn from real caregiver experience. The protagonists are a family of possums, Penny and Piper, chosen because mama possums famously keep their young close.
We built the project on our hybrid pipeline. The characters carry the tactile feel of stop-motion puppets. The environments have the softness of a storybook. Generative tools held visual consistency across a relatively long runtime and carried the connective work between key frames, while our team led every creative decision from character sheets to final comp.
It launched for US Feeding Tube Awareness Week, and runs as the centrepiece of a sustained platform through 2026.
Collaborators
Stop-motion models, built by hand. 3D environments, built digitally. AI animation, directed by us.






Three disciplines stacked into one pipeline.
This isn't prompt-to-video. We're not feeding your brief into a model and rendering whatever comes out. The creative direction, the design language, the characters, the world, the performance choices, all of it is made by people on our team.
If you've seen AI video that felt cold, generic, or slightly uncanny, you've seen what happens without the rest of the pipeline in place. This is not that.
Why Myth
Every project starts on paper. Concept art, character sheets, colour scripts. The hand-drawn foundation is what gives the rest of the pipeline a soul to chase, and it's why our hybrid work doesn't look like everyone else's.
We don't have a house style we force onto a brief. We start with what your story actually needs, then choose the technique. On Inchstones, that meant possums and stop-motion warmth. Story first, technique second.
Our team is animators and illustrators first. The AI sits inside a pipeline they direct, not the other way round. That's a small distinction that turns out to make a very large difference on screen.
This isn't a side experiment. It's the same pipeline that delivered Project Inchstone for Nestlé Compleat, on a broadcast-ready schedule, with the procurement and rights checks a global brand needs. We've built it. We've delivered it. We've taken the notes.
What our clients say
"The Myth team have become a key partner for us at Pepsi. They have supported how we glean insights on communications, in a more iterative way, enabling us to test and learn, with speed and agility. The Myth team are collaborative, efficient and effective, and I look forward to continuing the partnership."
Cathy Graham Kidd / Senior Marketing Director, Pepsi Global
FAQ
Hybrid AI animation is a production approach that combines traditional animation craft (illustration, 3D modelling, stop-motion sensibility, lighting) with generative AI tools used at the animation stage. The visual identity is created by artists. The motion is generated, refined and directed inside a pipeline that artists own end to end.
Prompt-to-video AI hands the whole creative job to a model and accepts whatever it returns. Hybrid AI animation uses generative tools for one specific stage (motion) and keeps every other creative decision (story, design, character, lighting, performance, edit) in the hands of trained animators. The result looks finished, intentional, and on-brand.
Not in the way audiences have learned to spot. Because the AI is animating high-resolution, artist-built 3D renders rather than generating images from a prompt, the output keeps the look and feel our team has set. The AI adds motion to a world we've already designed.
On Project Inchstone, the hybrid approach cut delivery time by roughly 70% versus a like-for-like CGI production of the same complexity. The exact saving varies project to project. The honest framing is that hybrid lets us reach a higher quality bar inside a working brand timeline, rather than promising a fixed turnaround on every brief.
Faux stop motion is one of the strongest applications of the pipeline. We build characters and environments to a stop-motion sensibility, then animate with AI. The result keeps the tactile, handmade feel without the schedule and cost of a physical set. Project Inchstone is a worked example.
This is an active part of our work. We can build physical stop-motion models, photograph them, and animate the captures with AI inside fully built 3D environments. The textures of real materials are unmatched, and the AI lets us move them across shots that would be uneconomical in a traditional stop-motion build.
Visuals are not generated. Characters, environments, textures, lighting, colour, and design language are all created by our artists using traditional tools. The AI generates motion only. That distinction is the whole reason the work looks the way it does.
You do. The 3D assets, the concept art, the character designs, the finished animation, all of it transfers to you on delivery. We also keep a clean record of every AI tool and asset used in the build, which procurement and legal teams at larger brands increasingly need.
Broadcast commercials, brand films, character-led campaigns, faux stop motion, pitch films, and longer-runtime work where consistency across shots is the hard part. Any project where the quality bar is broadcast-grade and the timeline or budget rules out a full CGI build.
Send us a sentence about the project, or a full brief, or a Loom. We'll come back the same working day with a call slot and an honest read on whether hybrid is the right answer for what you're making.
Tell us what you're making, who it's for and what good looks like. We'll come back with a recommended approach, a creative direction and a ballpark figure within the call.